Wednesday, April 30, 2014

Musings of a Fanboy: Thank You and Don't Forget to Tip Your Waitress

Hey everyone!

Just a quick little blog here about something that has been on my mind for a long time now.


I am under the firm opinion that everyone, at least once in their life, should work some kind of service job, may that be in a restaurant, office building, or some other company that offers a service of some kind to customers.  I work in a restaurant myself and have so for almost five years and I will be the first to tell you that it has completely changed the way I see other people that work service jobs.  I understand what it is like to be on the other side of the desk or the counter.  However, not everyone does.

These are the people that are rude to waitresses or secretaries when the problem is completely out of their hands and don't understand the concept of a tip.  Please, for the love of God, do not let someone you go out to dinner with refuse to tip because the waitress is "just doing her job."  That is the bull crappiest excuse for being stingy that I have ever heard.  Most waitresses (I say most because not all fall into this category) are willing to go above and beyond the letter of "her job" for her customers.  Restaurant owners could simply have busboys or airheaded high schoolers run plates of food to tables.  It would probably be cheaper that way.  But, instead, they have people that are trained in personal communication that make you feel welcome at the resturant and will wait on you hand and foot for the next hour.  If that isn't worth something a little extra, I don't know what does.

Ok, stepping off the soap box now.  Thanks for reading!

Nostalgia Goggles: Cops and Coppers

Hey everyone!  Sorry about there being no blog yesterday.  Tuesday was the age-old combination of late night/early morning/long day, which ended with me practically falling asleep on the way home from work.  So, anyways, two blogs today I guess is how I'm going to roll with this.  And that's fine!  I'm not tired and have no time!

... did that sound bitter?  That sounded a little bitter...

Anyways, NOSTALGIA GOGGLES

So, I watch a lot of television.  In fact, that might be the most defining fact about myself.  Being a TV fanatic for the last few years meant mostly charting out my night time schedule so that I could watch my shows and get all my homework done.  It was not a simple task.  I mean how am I supposed to do calc homework on Thursday nights when I had new episodes Big Bang Theory, Mentalist, Elementary, and Community to watch?  More recently, however, I've begun to stop watching shows that are currently on television as much and focused by attention on the past: shows that have run their course or had been cut short in their prime.  The switch between the old and new worlds of television programming has opened my eyes to some interesting parallels and curiosities of the medium I'm such a fan of.  Time changes a lot of things but somethings can be set in stone much longer than you can ever believed possible.

Take cop shows for example.  They are a stock television and movie genre that has endured through its "case of the week" formula, engaging premises, and flexibility within the genre that can make cop shows accessible to almost any audience demographic out there.  Cop shows are breeding grounds for both incredibly deep, unique character and painfully cliche ones.  They are shows where good triumphs over evil, but not too much that the suspense of the weekly case is ruined.  Cop shows, both old and new, have gimmicks and hooks in the premises that draw the audience out of the old and expected COPS formula.
Here are a few of my favorites from both before and after I was born.

The Dark and Gritty
The Past: Homicide: Life on the Street
The Present: The Shield
Part of the allure of television is its ability to serve as a window into the lives that we as suburban homesteaders or thrifty city slickers will never get to experience.  Some cop shows, in this vein, try to depict the life of a detective or uniformed officer is a gritty, off the cuff manner.  Now, there are two ways that television shows have portrayed this.  Take 1993's Homicide: Life on the Streets.  Based off a popular non-fiction book about the life of NYPD detectives, Homicide features an impressive and varied cast of police officers that deal with the harsh underworld of New York crime in a realistic fashion.  The show used a handheld camera style that made the view feel like they were part of the action, not separated by the fourth wall.  Homicide went on to be the main influence for what many critics consider the quintessential American television show: The Wire.  The Shield, a more modern TV show, took a different route on the gritty and realistic path.  Like Homicide, The Shield showed the world of police officers in a brutal and unrelenting fashion.  However, the show, like most modern dramas, kicked the intrigue and corruption up to eleven, casting most of their characters in the role of anti-hero instead of heroic.  While this is still a fantastic way to represent the grittiness in cop fiction, the murky world of the officers in The Shield felt separate from the viewer, making it seem more like a feature film than a documentary.  Good or bad, this style catapulted The Shield into a feverish immortality in the world of cop shows while Homicide, a marvel in its time, remains largely unnoticed by the current generation of television viewers.

The Comedy
The Past: Police Squad
The Present: Brooklyn Nine-Nine
What's the old phrase?  When you can't make them cry, make 'em laugh?  This is something that television has taken to heart over the years, taking serious subject matter and translating it into something to make the masses stitch their sides over.  The genre of the cop show has not escaped this in the least bit.  Luckily, the transition from dark drama to light-hearted comedy has had many successes in the past and in the present.  From the minds behind the cult classic comedy Airplane came an 80s police comedy simply named Police Squad.  Headed by the incredibly hilarious Leslie Nielsen, Police Squad parodied its gritty, realistic contemporaries from the top down.  Each scene of every episode is full of jokes and gags that take multiple viewings to fully comprehend.  The show only lasted a tragically short six episode seasons, but lived on in the Naked Gun series of films.  Taking a look into modern cop comedy, we find the fledgling workplace comedy Brooklyn Nine-Nine.  Starring many familiar faces, such as Andy Samberg, Andre Braugher, and Terry Crews, Brooklyn Nine-Nine stormed the award season, snagging many much coveted comedy awards.  While lacking the heart that made shows like The Office and Parks and Rec such cultural icons, Brooklyn Nine-Nine is off to a stunningly good start with a consistent and confident first season.  Samberg off-the-wall antic play perfectly off Braugher's stone-faced comic gold making a show that is both hilarious and genuinely lovable.

The Change of Location
The Past: Miami Vice
The Present: Justified
Most cop shows, including those listed above, are located in the busy, gritty cityscapes of New York, Chicago, or another major metropolis.  This is simply because the setting is filled with ample opportunities for crime, corruption, and overall evil for the cops to combat.  However, this is not the case for all the cop shows that have aired over the years.  Miami Vice is an example that has tremendous success and has invaded pop culture in a tremendous way.  The show takes the tradition buddy cop formula and places their duo in the neon-tinged beaches of South Beach instead of the back alleys of New York City.  The change of scenery catapulted Miami Vice into the mainstream, creating one of the most pervasive and iconic cop shows of all time.  Justified, a show I am quite fond of, took a similar track.  The show takes the big city action and brings to the close knit communities of the Deep South.  Timothy Olyphant plays his role as the main hero as more of a old west sheriff from a John Ford classic, in that his decisions and actions are the only thing that keep the small country towns from erupting into chaos and murder.  It's a show that is instantly engaging and refuses to let go.

The Throwback
The Past: Columbo
The Present: The Good Guys
Everyone throughout all of time has had an obsession with the past.  It is in our nature and nostalgia isn't something that we can just escape.  The producers and writers of television are not different.  Take the detective show Columbo for example.  It aired in a time when, with Magnum and Rockford as contemporaries, the big personality detective was the hit thing.  However, Columbo took a different route, turning the clock back to a time when the crime was the main feature instead of the cop solving it.  The audience of Colombo were shown who committed the crime and how they did it in the opening scenes of every episode.  All there was to do was sit back and watch Columbo find the murderer's fatal flaw in their plan.  It's very entertaining television and has cemented a lifelong love for Peter Falk in me.  A similar show to Colombo, The Good Guys was another quality show that fell victim to the low ratings killer.  Only a season long, The Good Guys took the feel of a classic buddy cop show and applied to a comedy set in modern times, creating one of the most fresh and creative cop shows of the last five years.  While starting on clumsy feet, the show grew in strength and confidence, playing to its strengths such as the strong chemistry between its cast and the out-of-order storytelling.  It's a real example of the magic of television.

The Groundbreaker
The Past: Cagney & Lacey
The Present: True Detective
With how trophic and cliched the cop show genre can be, you an image how hard it can be to break out of the mold that has been set so many years in advance.  However, as most of the shows on this list are proof of, sometimes a cop show can be truly groundbreaking and revolutionary.  The fairly obvious example of this would Cagney and Lacey, the first cop procedural to have two female actors in the leading roles.  Between this fist through the glass ceiling, the show was a killing police drama with a tight cast and memorable writing that has made the names of Cagney and Lacey so recognizable even to people who haven't seen the show.  Similarly, the modern classic of a television show called True Detective has been making waves recently as a moody, atmospheric police drama that places the focus of the show squarely on the dynamic and complex characters of the two lead detectives.  Although only eight episodes long, the first season of True Detective is so well thought out and executed (from the acting to the cinematography to the music choices) that it feels like a truly unique series.  With a totally new cast and setting the next season, True Detective only has room to grow, expand, and become even more of a pop culture phenomenon.  Jump on the train now guys.

Yeah... I watch too much TV...

Thanks for reading though guys!  I hope this blog gave you the itch to watch some boys in blue bust some baddies.  Say that ten times fast...

Monday, April 28, 2014

Rain Dance in Traffic: Radio Makes You Lonely

Hey everyone!


Here is something interesting about music that I have been trying to track and explain for many years now.  Preference is a hard thing to define, especially in music where genres and styles mix, blend, and form completely knew genres all together.  A person that likes blues music will also like jazz, classical, and the standards of rock 'n' roll because all of them share a similar root musicwise.  Of course, no one person on this Earth is that cut and dry about preferences.  We all have guilty pleasures or surprising favorites that seem to defy any sort of previous preference they we have established for ourselves.

This is why, say, making a playlist for a friend of music that you think they will like is such a demanding and complex.  (Note, this is not an excuse for me taking so long to make a playlist for you if I have indeed promised so.  Just so you know, I'm having a killer time doing it!)  Each and every song that you put on that playlist for a friend is colored by not only your own preferences but your own expectation of what your friend will like. Just because I like a song a lot and it fits into a genre that my friend likes does not mean they will enjoy the song.  A number of other things have to be put into consideration, such as lyrical content, complexity of music, and overall talent of the artist.  For certain friends, I put much more stock in the lyrical content of a song before putting it on a playlist than the quality of the guitar playing or the inclusion of a bagpipe in the background of the song.  For other friends, it is exactly the opposite.


A person's preferences also have a lot to with the music they listened to growing up.  Take me for example, both my mom and my dad love James Taylor, Glenn Miller, Garth Brooks, Hootie and the Blowfish, and Stevie Ray Vaughn.  That collection (along with my dad's fondness for Van Halen, Earth Wind and Fire, and Chicago and my mom's love for Barbra Streisand, Whitney Houston, and every love theme for an 80's romance movie) made quite an impression on me.  To this day, I can't hear Your Smiling Face, Pride and Joy, or September without a wave of proud nostalgia washing over me.  Now, how exactly this translates in the music from NEEDTOBREATHE, The Wonder Years, and Four Years Strong that I enjoy so much is hard to nail down exactly.  But, due to the high value we put on nostalgia these days, I have no doubt my parents' mixtapes played a huge role in defining my Spotify playlists.

So, why does all this word vomit matter anyways?  Well, in my mind, I think all of this is proof that we can't just write off an artist or genre just because we are not fans of the music we hear coming from them.  I know I certainly took a while to get into music like rap, house electronic, and post-hardcore, but each genre has become an important stepping stone to me trying to define and mature my taste in music.  Now, I know most people don't put as much effort into "maturing their musical taste" as I do.  But, look at all that goes into your specific preferences in the music you listen to.  Is it too hard to imagine that a rap song or a country will hit those same targets just as well as your classic rock and your sugary Top 40 radio pop?  The world of music is large, much large than what can be defined by popularity and the radio.  Finding something completely new to listen to is one of most satisfying feelings that I can experience.  I think it's worth you giving it a shot.

Thanks for reading everyone!

Sunday, April 27, 2014

Branches and Roots: A Quick Blog About How Much God Loves You


Hey everyone!

Do you know how much God loves me and you?

It's both an easy and a hard question.  It has a simple enough answer but can be hard to really wrap your head around.  Answer: God's love for me and you is tremendous.  Easy, simple.  But how big and how tremendous is his love?  Is it like Ross and Rachel big?  Is it Amy and Rory big?  Is it Wash and Zoe big?


Here is what God has been telling me this weekend about his love.  It is bigger than the human imagination.  Our brains are wired to make connections.  Connections between images and ideas, colors and sound, motion and stillness.  It is in our very nature to attempt to compare the unknown to the known.  And God's love is a big unknown.  Not in the sense that it is hidden from us, but in a way that we don't fully understand it.  So, we try to make a connection to God's love to something terrestrial that we can grasp.  God's love is a father's love or the love of a shepherd towards his flock.  Both are perfectly good and biblical connection we can make to God's love, but don't think for one second that that is where God's love ends.  God himself is holy, separate, and undefinable, so what makes us think that his love is any different.

So let's stop trying to write a seminar in our heads whenever we start thinking about why God loves us.  Isn't it enough that he does?  Can't we rest for twenty minutes in the confidence and peace that being in the loving arms of God provides?  You see, God showed me this week that he doesn't want me to prove that I understand him or his commandments or his love.  He wants he to love him and devote myself to him for what I know about him and have my faith take care of unknowns and the indefinables.  And what I do know about God is simple: he loves you and me more than anything in creation.

Thanks for reading and have a great week everyone!

Saturday, April 26, 2014

Top Ten: Superhero Sidekicks

Hey everyone!  I hope you all had a fantastic Friday.  Here is today's Top Ten list.  To anyone that has ever gotten paper cuts flipping through dozens of comic books, this one is for you!


No one likes to get second best.  Especially someone with powers so incredible that they can be considered, by all accounts, superhuman.  However, the title of sidekick is certainly nothing to scoff at.  The role of sidekick is a doorway that has lead many superpowered teens to becoming vibrant and unique characters that define the comic genre as we know it.  Here are my top ten favorite pint-sized heroes that have have big spandex to fill.

10. Aqualad
I recently watched the Cartoon Network Young Justice television show and was actually quite excited by the show's writing, action, and character development.  I was especially impressed by their treatment of the character of Aqualad.  In the comics, Aqualad was a victim of the "sidekick bandwagon" and became an unimaginative carbon copy of his heroic mentor, Aquaman.  Later on, Aqualad became Tempest and joined the ranks of the Outsiders with fellow former sidekicks Nightwing and Arsenal.  In the show, however, is a prince of Atlantis that forgoes his underwater allegiances in order to serve as the protector of all of the Earth with his fellow Young Justice team members.  He is a dynamic character, powerful leader, and an overall crazy cool hero to watch in action, reminiscent of Cyborg from the Teen Titans television show.

9. Franklin Richards
Sometimes, genetics suck.  Franklin Richards is the son of Reed and Susan Richards (that's Mr. Fantastic and the Invisible Woman for you non-geek elite) and, due to his parents' genetic mutations, Franklin was born with incredible psychic powers.  Powers that are beyond anyone's, including his own control.  Under the tutelage of his parents and the entire Fantastic Four, Franklin has honed his dangerous powers and has managed to save the universe on many occasions, including the time he transported the Fantastic Four, the Avengers, and the X-Men into a pocket dimension in order to save them all from the all-powerful Onslaught.  Unstable and constantly time jumping, Franklin is a surprisingly unique character that demonstrates how being a hero means sometimes losing your innocence.

8. Rick Jones
Rick Jones gets some bonus points for being a sidekick to multiple superheroes.  He got his start as one of the Hulk's only friend, who kept Bruce Banner's animalistic side from getting the better of him.  He later joined the Teen Brigade, a group of teenagers that report major crimes to Earth's heroes, and became largely responsible for the formation of the Avengers.  As time went on, Rick became a close confidant of the entire Avengers and eventually partner with Captain America.  He later becomes the hero Captain Mar-Vell and is singlehandedly responsible for ending the Kree-Skrull War and defeating the Supreme Intelligence with his godly powers.  Not bad for a sidekick.

7. Bucky Barnes
Bucky Barnes has been getting a lot of press lately due to the Captain America movie so I feel alright about relaying some of the spoilers that are attached to Bucky's story.  Bucky started his career as Captain America's sidekick during World War II and Bucky's apparent death is what caused Cap to fall into the ocean where he would stay in suspended animation until he was found and joined the Avengers.  Bucky, however, was not death and was instead saved and brainwashed by HYDRA to kill Captain America as the Winter Soldier.  Cap manages to save his former sidekick and Bucky later finds himself having to take up the role of Captain America after Steve Rodgers' death.  Bucky's story is one of redemption that is trademark amongst the Marvel canon.

6. Speedy
Roy Harper, aka Speedy, Red Arrow, and Arsenal, is an unique sidekick not only due to his equal footing with his mentor, Green Arrow, but also because he lived up to his name in more than one sense.  In a ground-breaking comic book arc, Green Arrow discovers that Speedy has become addicted to heroin and begins a long quest to get Roy clean once more.  The story marked a loss of innocence for all the DC teenage sidekicks who were no longer treated as clones of their respective heroes, but as individual and unique characters of their own.  Speedy has also made appearances on the Young Justice and Batman Brave and the Bold television shows, where he holds his own as an awesome sidekick characters.

5. Wonder Girl
Female superheroes are tricky business.  The sex appeal is a major and distracting factor that many comic book fans are unfortunately obsessed with.  So, when crafting a female sidekick for an already strong female superhero, the DC writer went the best route with Wonder Girl, creating a deep, fascinating, and spunky character in Cassie Sandsmark aka Wonder Girl.  Cassie's birth as a hero came out of tragedy as the death of the original Wonder Girl, Donna Troy, destroys the current Young Justice and leaves the door open for the next generation of sidekicks to rise to the occasion.  Cassie stands out from the pack due to a strong and resilient personality and will always stand strong for what she believes in.

4. Kid Flash
The Flash family tree is fairly confusing, and Bart Allen, the son of former Flash Barry Allen from another timeline, is no exception.  Not used to the slow way of life that other humans live, Bart lives life at a hundred miles per hour, earning him the nickname Impulse.  However, after being kneecapped by the mercenary Deathstroke, Impulse decides to mature and reads the entire San Francisco Library in twenty minutes, rechristening himself as Kid Flash.  Bart is one of my favorite sidekicks because of his outlook on life.  He knows that challenges of being an outsider but never lets it interfere with his sense of innocence and wonder at the world of superhuman in which he lives.  He never forgets what it means to be a hero and the proud legacy that he has to live up to.  I have no doubt that Bart will make a great Flash one day.

3. Beast Boy
While known primarily for his comedic antics on the Teen Titans, Gar Logan, aka Beast Boy began his career as a pint-sized sidekick to the Doom Patrol, a ragtag group of misfit heroes.  However, as he has grown and matured, Beast Boy has found his own as a hero in his own right on teams like the Titans and the Ravagers.  That being said, Gar will always be remembered for his animated antics and his multiple green animal forms.  He is an iconic character that is instantly recognizable by many people outside the comic community and for good reason.  Beast Boy will go down in history as one of the best heroes that DC Comics has to offer.

2. Superboy
Genetics still suck.  In a brave departure from the classic Superman tone, Superboy, who goes by the name Kor-El or Conner Kent, was revealed to be not only a clone of Superman but also a clone of Lex Luthor.  So, within Superboy, there is a battle between the most heroic superhero of all time and the most evil supervillain of all time.  This makes for a super interesting dynamic in a comic book character as Conner fights his darker urges and tries to find a way to embrace his heroic heritage.  Luckily, he has some dedicated help from Superman, the Kents, and Robin.  Conner eventually travels to the 31st century where he joins and leads the Legion of Superheroes, becoming the hero that he has always wanted to be.

1. Robin
My choice for my Number One spot is not a surprising, considering that Robin is the most recognizable superhero sidekick of all time.  And that's for several good reasons.  Over the course of Batman's career, he has had several young wards that have taken up the role of Robin.  Dick Grayson grew to become the hero Nightwing, Jason Todd was voted by Batman fans to be brutally killed by the Joker, and Damian Wayne, Bruce's own son, died as well in the role of Robin.  However, my favorite Robin, and the reason why Robin is my favorite sidekick, is Tim Drake.  Tim was able to deduce, at an incredibly young age, the true identities of Batman and Robin, and, after Jason's death, he approached Bruce and asked to become the new Robin in order to prevent Bruce from falling into depression.  For the first time, Tim's Robin became the first version of the character that refused to live in Batman's shadow.  Always trying to be his own hero, Tim is a fantastic character to follow through his days as Robin, all the way to his rechristening as Red Robin, a role he chose to become instead of the next Nightwing.  Even in his appearances in the Teen Titans and Young Justice television shows, Tim retains his status as the best superhero sidekick of all times.

Thanks for letting me indulge by superhero geek side today guys!  It needs to be let out every once in a while or else it gets angry.  And you won't like it when it gets... nevermind...

Friday, April 25, 2014

Screen Time: Leverage

Hey everyone!  Today is Friday so that means it's time for me to talk about a TV show or movie that I believe deserves a little Screen Time.  This week's subject is the TV show Leverage.


Movies and TV shows about heists are very interesting creatures.  They appeal to both sides our nature as viewers and audience members.  On one hand, we are "in the know."  We are on the the side of the team of thieves or con artists that are pulling the heist and know their plans.  We feel smarter than the dim-witted enemies of the team and we become invested in the outcome of the heist.  On the other hand, there is always something we don't know.  The heist team drops hints and things are shown that aren't fully explained at the time.  As an audience, we crave to be fooled and we always wait for the twist at the end that allows the thieves to get away scot free.  It's the reason why we love movies like the Ocean's Eleven trilogy and the reason why the Italian Job has been remade not once but twice in the last ten years.  It is also the reason I can't stop watching Leverage, even after its five season run has come to an end.

The show revolves around former insurance investigator Nate Ford, who, after the insurance company he worked for refused to pay for an experimental procedure that would've saved the life of his son, decides to form a team of thieves to target other greedy corporate tycoons and take them for all they've got.  His team includes Sophie Devereaux, a silver tongued grifter with a long history with Nate, Alec Hardison, a hacker extraordinaire who is in every way the modern geek, Eliot Spencer, a hard-nosed hitter with a heart the size of his fists, and Parker, a quirky thief who is equal parts crazy and lovable.  Together, the Leverage team either search for targets or are hired by client who somehow find out about the services the team offers.  Each episode consists of a drawn out confidence scam that, more likely than not, is spun out of control, forcing the team to use their individual skills and teamwork to pull off the job.


Now, the show itself works with a kind of "case of the week" format in which the team pulls a con or series of cons each episode.  Each season has some sort of loose overarching story arc which become more defined towards the end seasons.  The writing of a TV show is always something I pay particular attention and appreciate.  Leverage's writing ranges from very intelligent to insulting to your intelligent.  Leverage is meant to be a fun summer show, so they take a lot of liberties in the department of suspension of disbelief.  However, if you play along with some of the show's zanier bits (it's not much worse than some of the heist movies that you see coming out theses days), the Leverage team will surprise you with some sharp, fast-paced, and absolutely heart-warming television.  Each of the actors on the show have immense talent and incredible acting range that allows them to pull of a variety of personas during the heists.  The talent of the cast becomes a draw for a regular host of fantastic guest stars including Wil Wheaton, Saul Rubinek, Jeri Ryan, Richard Chamberlain, Tom Skerritt, Mark A. Sheppard, and freaking Adam Baldwin!

However, the one of the best things about the show's concept  is that, while these characters are fighting the Goliaths of the world, none of them are heroes.  Each has flaws that are just as important to their character as their strengths.  Nate used to be working on the side of the law and is called "an honest man" by his team at the beginning of the show.  As the show progresses, the team discovers that, due to alcoholism and a hefty God complex, Nate's role as the Mastermind behind Leverage is a short road to self-destruction.  The formation of a sort of pseudo-family amongst the team is the only thing that keeps Nate from going over the edge.  Both Parker and Eliot are haunted by their pasts.  Parker, an orphan raised by a series of foster parents, is used to working alone and has a hard time connecting with the rest of the team.  Her budding relationship with Hardison is one of the show's sweetest elements.  Eliot has an extensive history as both a solider and a mercenary and keeps many of the deep dark things he has done away from the team.  His past does have a way of catching up with him.  Hardison, under his thick layer of geeky cockiness, has all sorts of confidence issues and develops a sort of master-apprentice relationship with Nate as the show goes on.  Sophie, as an actress and grifter, has had to put on a lot of identities over time and often finds herself lost in her part, even with her friends.  As she opens herself to Nate, she finds that she discovers more of herself.


But, bar none, the thing that always brings me back to Leverage is the cast's absolutely incredible chemistry.  Even without the slick sheen of the heists and the special effects, the dynamic nature of the five principal actors with have you glued to the screen with cheerful enthusiasm for the full 45 minutes of an episode.  Each member of the Leverage team is an iconic and memorable character that will stick with you longer after you stop watching the show.  If anyone has a little time and are willing to do a little internet digging, I employ you to watch the pilot of Leverage and see if anything sticks.  I am obviously a huge fan so you can bet that there will be something that you can enjoy.

Notable Episodes: The Nigerian Job, The Two-Horse Job, The Mile High Job, The 12 Step Job, The First David Job, The Second David Job, The Tap Out Job, The Three Days of the Hunter Job, The Two Live Crew Job, The Bottle Job, The Jailhouse Job, The Studio Job, The Three-Card Monte Job, The Rashomon Job, The Big Bang Job, The Cross My Heart Job, The French Connection Job, The D.B. Cooper Job, The Broken Wing Job, The Rundown Job, The Frame Up Job, The Long Goodbye Job

Thanks for reading!

Thursday, April 24, 2014

Once Upon a Blog: Chessmate

Prompt from here: http://www.reddit.com/r/WritingPrompts/comments/23wc73/wp_the_backstory_of_chess/

(r/WritingPrompts is a great place for some typical and not so typical story ideas if anyone is looking for some.  It is updated all the time and loads of writers are uploading, responding, and commenting all the time, so you can get some nice feedback if comment on popular posts.)

The Backstory of Chess

Abigail tapped the head of the black bishop against the top of the table at a nerve-wrecking pace, and Vince began to wince at every hollow, wooden tap.  He spun the white rook around in his fingers as he narrowed his vision so he could only see the chessboard in front of him.  Only the board.  Not the slowly ticking clock across from him.  Not the worried flicker of Abigail's eye.  And especially not the tiny chess piece that was being repeatedly slammed on the lacquered surface of the table.  He tried to focus on his own pieces on the board instead.  His pawns were mostly useless.  Both his bishop and his knight were, at this point, hopelessly trapped.  Vince had his queen tucked neatly and safely over on the corner of the board where a set of pawns were standing guard in front of it.  The tapping of the bishop bit through Vince's focus once more.

"Abby," said Vince, "Do you have to keep doing that?  You are going to snap that thing in half eventually."

Abigail rolled her eyes.  "I'm just anxious to move, Vince.  You take five minutes to make a decision and we only have until the end of the class period to play."  She dropped the bishop back onto the table and it rolled off to the side of the board.  Watching it roll, Vince was reminded of the move Abigail had made to take the piece from him.  It was a risk on her part and a sacrifice on his.

"Well, you are just going to have to be a little more patience," he replied, "This isn't speed chess and I'm not a grandmaster."

Abigail slumped back in her chair and her eyes stared vaguely in the direction of Vince and the board.

"Has anyone ever told you the backstory of chess?" she asked.

The question struck Vince as odd, especially since he was trying to decide on a move to make.  However, he had lashed out a little bit at Abigail earl[er and, after all, he was losing.  Anything to make her take her mind off the game in front of them.

"No," he said, sighing a little, "No one has."

Abigail straightened a little in her chair.  "Really?  It's kind of interesting."

"Are talking about the origins of chess?  Like the guy who invented it?"

"No, no.  That's dull history lecture stuff.  I'm talking about the story that inspired the guy that invented chess."

Vince reached forward suddenly, picked up a pawn, and moved it a space forward.  Abigail took a moment to analyze his move, her eye darting methodically around the board.  Quickly, as if the prospect of telling her story suddenly animated her every move, Abigail moved her bishop to block the path of Vince's knight which the movement of the pawn had opened up.

Vince furrowed his brow.  Abigail was a smart and patience player, so her quick decision and her sudden silence were particular unnerving.  He reached his hand for his knight, but, after a moment's thought, brought it slowly back to his lap.

"So, what's your story, Abby?" he asked.

Abigail perked up.  "Well, as you might guess, it started out with a king and a queen."

"No kidding," said Vince, picking up his rook and moving it to the right.

"Well, you see," said Abigail, "The king and the queen had a problem.  Their army was not strong enough or large enough to fend of the armies of their enemies.  So they went to a local bishop for help."  She moved her own bishop on the board and slowly slid one of Vince's pawns off of the board.

"Did someone tell you this story or are you making it up as you go along?" asked Vince, moving another pawn to block the approaching bishop.

Abigail shrugged.  "Does it really matter?"

"I guess not."

Abigail paused for a moment to look at the board as it stood.  "The bishop heard the king and queen's request and prayed about it for a day.  The king and queen realized that enemy forces had mobilized during the night and rushed back to the bishop for his advice.  What the bishop told them shock them both."

Vince looked up from the chess board for the first time in a while and saw a certain glow had replaced the boredom in Abigail's eyes.  "What did the bishop say?"

"The bishop said for the king to bring his queen to the frontline of the next battle and she shall win the war for you."  Abigail moved her queen straight from its position of the edge of the board to a square a few spaces away.  After her move, she leaned back once more in her chair and, as she did, Vince leaned forward towards the board.

"I think that's checkmate, Vince."

Tapping the white, wooden piece with a flick of his index finger, Vince watched his king fall off the edge of the board and land near to where his fallen pawn and the tapping bishop lay on their sides.

"I think that's enough chess for today," he said.

Wednesday, April 23, 2014

Musings of a Fanboy: Kenzie Wanted Me to Title This Blog "Yo Yo Let It Go" or "Afro-zen"

Hey everyone!

Here's something odd that I found out today.  Ever since I saw Disney's Frozen over winter break, there was something that nagged at me about the film.  Not its similarities to Disney's Tangled, not its harshly feminist tone, and not its award-winning music either.  Just something.

Well today, inspired by a Reddit post that talked about how Elsa was originally intended to be the villain of the movie, I decided to take a look at the story that inspired Frozen: a Danish fairy tale by Hans Christian Andersen called the Snow Queen.  My journey, which brought me to a hopefully accurate Wikipedia page, garnered some unexpected results.


The story of the Snow Queen revolves around two childhood friends named Gerda and Kai (picture a young Anna and Kristoff I guess) who are destined to fall in love.  However, Kai is struck by a piece of an enchanted troll mirror (that's part of an earlier part of the story which really has nothing to do with the rest of the plot besides the mirror shard. Roll with it for now and I'll come back to it later) and his heart grows hard towards everyone, including Gerda.  Kai is subsequently captured by the Snow Queen (picture an older much more frigid Elsa) who is not repulsed by Kai's frozen heart.  Taking him to her castle of ice, the Snow Queen forces Kai to solve a puzzle box made of pieces of ice from which solving the puzzle will gain him his freedom.  Meanwhile, Gerda has not lost hope of finding her one true love and has begun to search high and low for Kai.  Her journey takes her to a silent river to which she gives her red shoes, a sorceress of summer who keeps Gerda trapped in her garden, and a majestic reindeer which gives her transportation to the Snow Queen's castle.  Gerda, with the power of her love and innocent heart, is able to remove the shard of the troll's mirror from Kai with a kiss and together they solve the ice puzzle, gaining Kai his freedom.  They return home to find that they have both aged to adulthood and now can live happily ever after.


Yeah so, you can clearly see some of the elements that went into making Frozen here in the story.  It was interesting to see how the writers of Frozen clearly spun these elements into different directions.  The trolls, the personification of evil in the original story, become the wise and sage givers of advice and Kristoff's surrogate family.  Gerda/Anna are both desperately try to find true love and discover a power within them that ends the major conflicts of the story.  The Snow Queen herself is changed from an icy sorceress to a misguided and disillusioned princess who believes her own magical powers to be too dangerous.  Both stories involve the themes of love conquering all, the dangers of magic, and the power of innocent triumphing over greed and hatred.

So, what was so interesting about my discovery, besides the parallels between the fairy tale and the movie?  Well, I discovered what had been bothering me about the film ever since I saw it.  From somewhere in the recesses of my memory, I somehow recalled that I had seen a fairly crappy adaptation of The Snow Queen many, many years ago on some VHS from some odd relative's house.  At the time, I thought it was some lame rip-off of the Chronicles of Narnia (although, now that I think about it, that was probably the other way around in reality) but several elements of Frozen jumped out at me that triggered the memory.  For me, that was an interesting discovery as my memories of a lot of my childhood are anything but clear.

So, what if Elsa was the villainous Snow Queen instead of the sheltered princess?  Honestly, it is not too hard to see how that would work.  After nearly killing her sister in a freak accident, Elsa could've easily been pushed much further in reclusion by her parents' and her own fears, causing her backlash against the community to have been much more dramatic and devastating.  Anna's mission to save her sister could've ended up with Kristoff taking the ice blast to the chest for her and Anna's lover  for him is what could've saved the day. Alternatively, and fortunately, the directors of the film decide to take the much more creative and irregular route that we all know and have coming out of our eyeballs.


Anyways, I'm not the biggest fan of Frozen.  It's a beautifully animated film that does have some killer songs (and some clunkers).  However, as far as the writing goes, the movie take too many convenient short cuts and is too obvious with its intended message.  We get it.  Love at first sight is stupid and all men are inbred, greedy, or stupid.  Girls rule, sisters rule, magic is awesome.  Let's sing Let It Go!  However, the fact that the writers and directors are taking a step away from convention is a huge weight off my chest because, as you know, where Disney goes, everyone follows.

So, I know this blog started from less than interesting origins but thanks for sticking around and reading everyone!


Tuesday, April 22, 2014

Nostalgia Goggles: Defining the Generation Gap

Hey everyone.  It's late and it's been kind of a long day, so consider my lack of enthusiasm for writing this blog noted.  That being said, here we go... (takes swig of Vanilla Coke)


Organization makes us human.  We love throwing things into categories, dividers, and boundaries.  Honestly, it is a truly identifying trait of mankind as a whole.  We categorize and organize everything.  Our computer files, our CD cases, our pens, our shoes, our phone contacts, everything.  We even do it subconsciously.  I am, right now, thinking about the cereal rack we have in the kitchen at my house.  I'm picturing the cereal boxes that I shuffle through at hours so early in the morning that I could possible do anything but subconsciously.  There are cereals that I don't eat (Chex), the cereals I do eat (Honey Bunches of Oats), the cereals I eat when the cereals I do eat are gone (Rice Krispies), and even cereals I eat when those cereals are gone (my brother's Raisin Bran).  I have never consciously thought about categorizing my breakfast cereals but, tell a brand of cereal and I can easily place it one of those four categories.

But, it doesn't end there.  We, as human, love, LOVE to categorize each other.  Oh Lordy, do we love to categorize other humans.  We have friends, good friends, best friends, spouses, fiancees, significant others, co-workers, bosses, associates, students, teachers, bullies, kids, children, preteens, twentysomethings, middle aged men, cougars, Facebook friends, followers on Twitter, user on Reddit, Democrats, Republicans, conservatives, liberals, American, British, Mexican, Canadian, French, Spanish, German, old, young, weak, strong, you, me, us, them, and the list goes on and on and on and on.  We have subcategories within subcategories all to describe a single person.

Say, for example, you see someone you know walking up towards you and you say, "Hi Joe!"  That's what your conscious mind does, but here's that your unconscious mind does: "Oh, that's Joe.  He is a good friend of mine.  I should say hi.  I hope he doesn't ask me to borrow my notes from class today because I didn't take any.  I wonder if I will see him at Bible study this Thursday.  He looks hungry.  Maybe we should go eat lunch together.  I hope we don't run into any of his lacrosse friends.  They eat the weirdest things.  We could go to Amigos because I know Joe likes Mexican food.  I should ask if he can afford some fast food.  Oh wait, he owes me twenty bucks as it is."  All of these thoughts can happen in the blink of an eye, but, in that brief time it took to think of all of that, you have categorizes Joe subconsciously into numerous categories: friend, good friend, classmate, needy classmate, fellow Bible study member, eating companion, lacrosse player, fan of Mexican food, and debtor to state a few.

Now, none of this is bad really.  In fact, the categorization of people is completely necessary for day to day operations.  We come into to contact with thousands of people over our lifetime and our brains would surely overload with we had to remember the personal data of every single person we know in order to know how to act appropriately around them.  Instead, we make shortcuts.  Oh, Amy is my boss, so I better not talk about the late night I had with my girlfriend around her.  Oh, Carl is a good friend of mine but he is much younger than I.  I shouldn't convince him to come to this rated R movie with me.  This all seems fairly obvious and simple when put practically, but that is simply because we do it all the time.  So much so that, by our adult life, we can interact with a myriad of different kinds of people with professionalism and grace.  Some people call it maturity.


So what does all of this have to do with what I'm talking about in this Nostalgia Goggles blog?  Well, I've thought about how we categorize and organize the people we know and one mode of categorization has jumped out at me as bizarre: generations.  We have defined the people that populate the Earth by generation for many, many years.  There is the Lost Generation, the Greatest Generation, the Silent Generation, the Baby Boomers, Generation X, the Millennials, Generation Z, the Beat Generation, the Stolen Generation, the MTV generation, and the list goes on and on and on and on.  These generation are generally used to refer to the group of people born with a certain time period and, more often than not, used by marketers and pop psychologists to pigeonhole an entire age bracket of diverse people under one unifying definition of likes, dislike, preferences, tendencies, and likelihood.  You may note the dismissing tone in the way I'm writing and that is mostly because, to me, the ideas of "generation" are fairly loose and generalized.

Take me for example.  I, by the year I was born, am considered to be a Millennial by the people who define such things.  I am supposedly "civic-minded," meaning I strive towards a better, more harmonious community around me.  I am also increasingly liberal and will most likely be more supportive of gay marriage rights and the legalization of marijuana.  For those of you that know me particularly personally or are in fact Millennials themselves, you can see how the definition of a generation can miss its mark.  This not to say that all the parts of the definition are false though.  However, each person in a generation comes with an unique set of personal experiences that exist outside of the fact of which year they were born.  I, being raised in Nebraska and living in a middle class community, have lots of individual traits and values that make me who I am.  Multiply that by the thousands and thousands of people that were born between the early 1980's and the early 2000's, people from all corners of the western world and from all socioeconomic levels, and you get millions upon million of factors that make up the so-called Millennial Generation.  How can one even think one can generalize an entire group of people like that with any kind of justified accuracy?

This is not even mentioning another aspect of society that is blowing this whole "generations" thing completely out of the water: the mother-freakin' Internet with a capital I.  For most people, the concept of a generation gap works kinda like the Grand Canyon.  The ever-flowing river of time eats slowly away at the walls of the generational canyon, causing a deeper and wider divide each and every year.  In my opinion, however, the generation gap in much more dynamic.  It is as if some parts of the Time River flows through the Grand Generation Canyon have some how been affected by some sort of time reversal beam that undoes the erosion and brings the edges of the canyon closer, instead of further away.  That "time reversal" is the internet we all know and to which we are extremely addicted.  The internet is an unique tool that has only been available for the more recent "generations" to use and adapt to.  The internet provides a glimpse into the world these past "generations" have been living.  The kids of the modern generation now have the movies, books, television shows, music, and all things cultural that are associated with their parents generations.  In fact, it has become fashionable and cool to be connected to previous generations.  It is much cooler to like Led Zeppelin and it is to like U2 and it is much more fashionable to wear bomber jackets than jean ones.  Instead of moving forward and away from the past, the members of the new generations are embracing the past with open arms and the lines of the generation gap are beginning to blur.

Of course, there are many things about people my own age that separate us from our parents, and I am in no way saying we are becoming more like them.  In fact, by most scholars' opinions, the current "generation" is spouting out some of the most independent people in US history.  However, I think that is clear that the so-called generation cap is not as cut and dry as experts will make it out to be.  I for one think that the similarities between generations are just as important, if not more important, that the differences between them.  The embracing of these similarities and difference is what should define a generation and not the similarities and differences themselves.  If that makes any sense.

Well, that ended up being much longer than I intended, so kudos to all y'all that made it through with me.  It is technically Wednesday now, so I guess this blog is technically late.  But, hey, I'm pretty satisfied by the way it turned out.  I hope this all makes as much sense on paper as it does in my head.  Either way, thanks for reading everyone!  I'm too tired to edit right now so excuse any major errors.  Thanks!


Monday, April 21, 2014

Rain Dance in Traffic: Spinning Now

Hey everyone!

For this first music blog post, I'd thought I'd just give you guys a little peek into what I'm listening to while writing and surfing the internet absentmindedly.  So here are the five artists that are blaring through my laptop speakers right now.

Hamell on Trial

Hamell on Trial falls into a category of music, called anti-folk, that I have very little prior experience listening to.  In reality, I don't think the genre has an exact definition, but, judging by Hamell on Trial's new album, the music seems to run against what can be considered folk.  The instrumentation is simple but played with furious energy and, like jazz music, lends itself to lots of improvisation.  The lead singer, Ed Hamell, fills his lyrics with political commentary and intensely personal touches which, combined with his passionate guitar playing, make for very excitingly genuine tunes.
Listen to: Artist in America, The Happiest Man in the World, Richard's Got a Job

OK Go

Due to an early obsession with YouTube and some carefully choreographic movements on treadmills, OK Go is a band that has been on my radar for several years now.  I bought their album Oh No around that same time and, around five year after the fact, I still come back to their music time after time.  Their songs, especially the ones on Oh No, are infectiously catchy and the quality is so tow-down fantastic you can't help but imagine the work the band puts into each and every song.  I recently listened to their newest album and, while it lacked the infectious energy I had expected, the well-crafted instrumentation and lyric work are by no means diminished by time.
Listen to: Invincible, Do What You Want, No Sign of Life, This Too Shall Pass

The Fratellis

I used to spend a lot of time in my younger days searching through the bowels of iTunes to feed my deep desire for new music to listen to.  Along the way, I'm guessing around the time one of their songs were featured in an iPod ad, I found the Fratellis.  A three-piece rock band composed of three guys from Glasgow, The Fratellis are a curious bunch as each of the members legally changed their last names to Fratelli when the band formed.  Two members even changed their first names as well.  Their music is stupidly catchy and Fratellis are constantly experimenting with their sound, both in and out of the recording studio.  One of the members even joined a thrash metal band during a time when the Fratellis were disbanded.
Listen to: Henrietta, Flathead, Chelsea Dagger, Baby Fratelli, My Friend John, A Heady Tale, Tell Me a Lie

So Many Ways

A more recent discovery for me, So Many Ways is a pop-punk band that serves up loud and passionate music with ripping guitar and guttural gang vocals.  This is exactly the type of stuff that I eat up like freakin' Skittles.  Handfuls at a time, people.  Handfuls.  I haven't had a lot of time with these guys to say much else than I dig their stuff.  Their most recent offering has taken them down a more hardcore path, something that put me off a little bit, but their first EP still brings the jams that get my head a-bobbing.
Listen to: I've Made a Huge Mistake, 37 Chambers, Dirtfoot

NEEDTOBREATHE

A solid member of my all-time favorite bands list, NEEDTOBREATHE have had me hooked since I first heard the resounding chorus of Washed By the Water.  While their latest album didn't feel quite as complete as previous offerings, these South Carolina guys bring some of the most consistently awesome music to the table album after album.  Their style straddles the lines between Southern rock, pop, and singer-songwriter and their diversity is one of their most admirable qualities.  That and having immense hearts after God make NEEDTOBREATHE a must listen-to band and must-see live act.
Listen to: Spare the Time, Restless, Washed by the Water, The Heat,The Outsiders, The Girl Named Tennessee, Something Beautiful, Let Us Love, Oohs and Aahs, Keep Your Eyes Open, Devil's Been Talkin', State I'm in, Feet Don't Fail Me Now, Brother

Thanks for reading everyone!  I hope some of these artists will touch your fancy.

Sunday, April 20, 2014

Branches and Roots: Zombie Jesus

Happy Resurrection Sunday everyone!


Or as my co-workers call it, Zombie Jesus Day!  Also, this Sunday is the day of my first Branches and Roots blog post and, to be completely honest, this is the post I am the most nervous about putting out onto the internet for the world to see.  You see, when I begin to talk about myself in a setting like this, I tend to try to sound affluent and intelligent.  As a writer, there is tendency to write about yourself in your best writing as if you are writing a memoir.  We wants our words, especially the ones about ourselves, to appear to be worth read.  But, as is the case with many memoirs, attempts to sound well-read and worthwhile are only successful in coming off as disingenuous and pretentious.  See some of my earlier blog for examples.

Simple hint for young writers: don't try to sound smart when writing.  Your writing will sound smart or it will not.  You, for the most part, do not control that and forcing the matter will turn off a reader quicker than almost anything.  Write they way that satisfies you, not the imaginary audience that wants you to sound witty, clever, or smart.

That all being said, my Branches and Roots blog posts are going to be me writing about myself, and, no matter how they turn out, I'm going to try to get the most out of them that I can.  Sorry to any loyal readers out there, but these blogs are for my own sake more than they are for yours.  I do hope, however, that you enjoy reading them as much as I do writing them.

I'm tempted to write something about Easter Sunday today since it is certainly appropriate, but I'm hesitant for a couple reasons.  With particularly "Christian" days such as Easter and Christmas, I've always had this expectation that some sort of revelation or life-changing experience would occur, as if God marked down those days especially in his date book to be particularly talkative and revealing.  Waking up in the morning or walking out of church on those days, I would force a sense of "this is the first day of the rest of my mentality" and begin to plan how I would begin to turn my life around.  My thoughts end up in the self-important and pretentious camp, and I start to track from what really matters about Easter and Christmas.  So, let me get some things straight before I continue: We all know why Easter is important and I'm guessing most of you reading this blog have heard everything I could possibly say about the manner by a pastor or priest this morning, probably in a better fashion than anything I could put to words on a blog.

So, what am I writing about this Easter Sunday?

Well, today, my pastor talked about the image of God and what the miracle of Easter reveals to us about our images of God.  He brought up Acts 17:29 which reads, "Therefore since we are God's offspring, we should not think that the divine being is like gold or silver or stone- an image made by man's design and skill."  In the passage, the writer of Acts is referring to the city of Athens and their many gods and their excess of spirituality.  Their image of God was cast in the gold, silver, and stone of which the passage talks.  While we in the modern age do not build gods out of precious medals, my pastor was lead by the spirit to point out that the verse bring a much more important message to the modern Christian.

We are the offspring of God.  He created us in his image and not the other way around.  With this in mind, how can we, as the creations of God, even dare to use our own imaginations to create an image of God?  Even one that just remains in our head.  How can we disrespect everything our complex and wonderful Father is by containing it within the limited space of the human imagination?  Everything I equate with God (Father, Savior, Sheppard, etc.) is merely images my simple brain uses to try to contain the enormity that is the idea of a holy God.  The next verse of Acts says that God views are attempts at creating an image of him as acts of ignorance and stupidity.

As a writer and an overall imaginative and emotional person, this revelation hit me hard.  The main way I associate and communicate with God is through my image of him.  How am I supposed to know what to expect from something I can't even wrap my head around?  It dawned on me today that is exact how the nature of God works.  By creating an image of God for ourselves to relate to, we are asserting control over who God is, and there is nothing that God has ever done or said that would make us think that we have any control over who he is.  I am who I am because of who God is, not the other way around.  All those years of Easter in the past where I thought Christian holidays were important to God was just another example of my weak attempts to reflect my own image onto God.  God, as evidenced through the Bible and not through my preconceived ideas of who he is, is ready and willing to intercede in our lives every single day we are alive and breathing.  Easter is a great day to remember what Jesus did on the cross for us but I think that is no more important than every other day of the year since, just like every other day, God is with us.

Thanks for reading everyone.  I know that writing my thoughts down in this blog help me a ton in working out my thoughts on matters that are beyond what my mind can really grasp.  I guess most Branches and Roots posts are going to drone on like this one does, but, either way, I hope you have a fantastic day in the presence of God.



Happy Zombie Jesus Day!

Saturday, April 19, 2014

Top Ten: Episodes of Doctor Who

Hey everyone!  Welcome to the inaugural post of my blog-a-day thingy.  I swear as this thing goes on it will become more affluent and seem less like it was just thrown together at odd moments during the day.


So Saturday means a Top Ten list and, to start off with something easy, I decided to dedicate this list to my favorite television show, Doctor Who.  There are a lot of things to talk about when it comes to the sci-fi show and almost every topic one can broach will end up making someone mad.  The Doctor Who fan base is just too passionate and opinionated to take someone else's opinion at their word without throwing in their two cents.  Everyone has a favorite Doctor, a favorite companion, a favorite season, and a favorite episode and, by God, if you don't agree then you aren't a true fan of the show.  Hopefully my list doesn't come off in this manner.  I put a lot of thought and consideration into any list I make so don't think anything you are about to read is anything but my honest to God opinion.  There is a lot to appreciate about Doctor Who and its characters, themes, and story arcs.  I'm sure we can agree on something.  If you haven't watched the show before, I will be sure to note which episodes on my list are good introduction for the Whoniverse.

Ok so, ground rules: I'm only including episodes from the 2005 reboot of Doctor Who.  I just haven't seen enough Classic Who to include anything on my Top Ten List.  Also, I'm considering two-parters as one episode to make more room on the list for other deserving episodes that would otherwise be left off.

Also, SPOILER ALERT.  I'm sorry, but it's the only way I can do some episodes justice.

10. The Angels Take Manhattan

  • Dark and moody
  • Has the flavor of an old-school, private eye novel
  • Breathes new scary into the Weeping Angels, especially with the baby ones
  • Brings Amy and Rory's story to a delicate close after a long, drawn out ending
  • Matt Smith knocks the ending out of the park

9. The Girl in the Fireplace

  • Knock out performances by David Tennant and Sophia Myles
  • Parallels to the story of Amy Pond, the Girl Who Waited
  • Great atmosphere and thrilling story
  • Makes a bizarre story idea into a genuine Doctor Who classic
  • Self-containment makes it great for new viewers

8. The Pandorica Opens/The Big Bang
  • Complex but absolutely satisfying ending to the season
  • Mysterious and compelling narrative that never lets the audience go
  • The Doctor's Stonehenge Speech
  • Guest appearances by the entire Doctor Who baddies list
  • Rory the Centurion (need I say more?)

7. The Doctor's Wife

  • A master class in Doctor Who writing by Neil Gaiman
  • Finally a humanized personification of the TARDIS
  • A delicious mixture of new ideas and fanservice
  • Amy and Rory's psychological battle against House
  • Unforgetable conversations between the Doctor and the TARDIS

6. The Empty Child/The Doctor Dances

  • Introduction of Captain Jack Harkness
  • Expertly balanced comedy, romance, and horror
  • Great performances all around, especially Christopher Eccleston
  • Iconic and memorable writing by Steven Moffat
  • The absolutely joyful ending

5. The Day of the Doctor

  • Not the 50th anniversary episode we wanted, but the one we deserved
  • Matt Smith, David Tennant, and John Hurt have infectious chemistry
  • A twist that changed Doctor Who as we knew it
  • Billie Piper proving that she deserved to come back even if she wasn't playing Rose
  • Tom Baker's nose and Peter Capaldi's eyes

4. Blink

  • Most iconic and well-known Doctor Who episode for a reason
  • Proves the merit of Doctor-lite episodes
  • Coins and perfectly demonstrates "wibbly-wobbly timey-wimey"
  • Introduced the best New Who monster in the Weeping Angels
  • Gold standard for the quality of Doctor Who writing

3. Silence in the Library/Forest of the Dead

  • The first, last, and best River Song episode
  • Intense and marvelously written, even if a little confusing at first watch
  • Vashta Nerada are perfect Doctor Who monsters
  • An emotional roller coaster ride that doesn't let up until the last moment
  • The Doctor opens the TARDIS door with a snap

2. Vincent and the Doctor

  • The only Doctor Who episode yet that has made me cry
  • Stunning acting from nearly everyone in the episode
  • Beautiful cinematography and fantastic writing
  • A great episode for those looking to get into the show
  • "The way I see it, every life is a pile of good things and bad things.  The good things don't always soften the bad things, but vice-versa, the bad things don't necessarily spoil the good things and make them unimportant."

1. The Eleventh Hour

  • A fabulous and charming introduction to the Eleventh Doctor
  • Instant chemistry and dynamics between Matt Smith and Karen Gillian
  • Hectic and quirky fun at every turn
  • Proves that Matt Smith is the rightful successor to the Doctor Who throne
  • "I'm the Doctor. So basically, run." Chills